Archive for November, 2012

ImageNet

November 20, 2012

The Internet provides us with a mountain of digital images from which you can find just about anything you are looking for.  Sometimes, but not always. Why? Because an image can be found on the Internet only if the text entered by a searcher matches the text used to label it.  To help organize this heap of digital confusion, computer scientists at Stanford and Princeton are working on the world’s largest visual database that mimics the human vision system. The database called ImageNet is organized around hierarchical categories called the WordNet. Each category (node) is represented by hundreds or thousands of images — on the average over 500 images per node. ImageNet utilizes Mechanical Turk workers to identify and categorize images. At the moment, ImageNet has over 14,000,000 images indexed into nearly 22,000 categories.
For more on ImageNet, read “Seeking a Better Way to Find Web Images” (New York Times, November 19, 2012)

Conservators come to the aid of Eyebeam

November 20, 2012

Like many Chelsea art galleries and art agencies, Eyebeam was devastated by hurricane Sandy.  Eyebeam, a nonprofit focusing on new media, was under three feet of dirty, toxic saltwater and its AV equipment, media and computers, including its archives documenting years of exhibitions and non-traditional media art projects, were extremely vulnerable and exposed.  New York City conservators mobilized and came to the nonprofits aid.  Watch a video produced by documentary artist Jonathan Minard capturing the conservation efforts of this community.
To contribute to Eyebeam’s recovery efforts, go here.

Rijks Studio launched

November 1, 2012

In anticipation of its reopening on April 13, 2013, the Rijksmuseum in Amsterdam launched Rijks Studio, their new online presentation of 125,000 works in its collection.
“Rijks Studio invites members of the public to create their own masterpieces by downloading images of artworks or details of artworks in the collection and using them in a creative way. The ultra high-resolution images of works, both famous and less well-known, can be freely downloaded, zoomed in on, shared, added to personal ‘studios’, or manipulated copyright-free. Users can have prints made of entire works of art or details from them. Other suggestions for the use of images include creating material to upholster furniture or wallpaper, or to decorate a car or an iPad cover for example. To celebrate this digital milestone, the Rijksmuseum is asking leading international artists, designers and architects to become pioneers of Rijks Studio by selecting one work from the collection and using it creatively to create a new artwork. These will be released in the run up to the reopening of the museum.” (Press release)