ARTstor and the Solomon R. Guggenheim Foundation have released more than 750 images of major artworks from the permanent collection in the ARTstor Digital Library. This first release amounts to 11% of the Guggenheim Foundation’s projected 7,000 images of art, exhibition installation views, and architecture. Future releases will include 5,000 installation views spanning from 1990s to the present from the Guggenheim Museum in New York, more than 1,000 installations views from the museums in Bilbao and Venice, and 200 historical and contemporary photographs documenting the architecture of these three museum buildings.
Archive for May, 2012
This Friday (May 25th), the UC Davis Art History Program will hold its annual MA candidate symposium under the title “Aesthetics and Affects in Ages of Crisis.” Six candidates will present their final thesis research:
Sheena Campbell: “Little Venus in a Blue Armchair: Reclaiming Mary Cassatt’s Avant-Garde Gambit”
Monica Butler: “Chinese Painting Translated: Lang Jingsan’s Composite Photographs and the Creation of a Modern Chinese Art, 1934-1949”
Kamal Zargar: “Art as Power: Exhibitions of the Tehran Museum of Contemporary Art 1999-2005/2009-2012”
Nicoletta Rousseva: “A Parallel Space, A Common Space: Rethinking Sovereignty through the Work of Alban Muja”
Geoffrey Wildanger: “Andrea Fraser and the Affects of Catastrophe”
Anne-Catherine Titus: “Paul Delaroche’s ‘Execution of Lady Jane Grey’: Restaging History”
The symposium will be held in the Art Annex (TCS Building), Main Room from 1-4 pm. This event is free and open to the public. Symposium poster available here.
Congratulations 2012 MA graduates!
The Library of Congress recently announced the digitization of the Frances Benjamin Johnston lantern slide collection. Johnston (1864-1952) was a photographer and advocate of the garden beautiful movement. In support of this movement, Johnston toured the US and Europe during the 1910s and 1930s, presenting lectures on historic gardens and plant life. To illustrate these lectures, Johnston used her own images. She transfered 1,134 of her black and white photographs to lantern slides which she then hand-tinted so that she could illustrate her popular lectures for garden clubs, museums and horticultural societies in color. Johnston’s photographs depict more than 200 sites — primarily private gardens but also horticultural shows, a public library and museum, and several parks. The slides focus on the American East, West, and South but also include some images in Italy, France, and England.
For more on Johnston, her lectures and lantern slides, visit the Frances Benjamin Johnston Collection page at the Library of Congress.
The Netherlands Institute in Turkey (NIT) has launched a site making the photographic archive of Machiel Kiel, the former director of the NIT and a renowned Dutch scholar of Ottoman architectural monuments in the Balkan countries, available to the public. Created for the most part between the 1960s and 1990s, the Kiel Photographic Archive contains visual documentation of many monuments that have not survived or have been significantly altered during the second half of the twentieth century. The publication of Kiel’s archive by the NIT is hoped to significantly advance international research on this heritage.
As of May 2012, the NIT has almost 1300 images digitized and processed pertaining to Ottoman-Islamic architectural monuments in the Southeast-European countries (outside Turkey). The next phases will process images of monuments in Turkish Thrace and Christian monuments and mural painting from the Ottoman period.
This year’s submissions include a mockumentary about a washed-up child star, a comedy where three twenty-somethings attain mundane abilities after eating a very old casserole, an existential drama about a woman struggling with her life’s purpose, an animated action hero adventure and a documentary about finding the perfect bone marrow donor.
This years finalists survived a rigorous selection process. According to film festival adviser and Art Studio Professor Darrin Martin, “student enthusiasm for more sophisticated approaches to expressing themselves through filmmaking is on the rise as they strive to master the language of a media-saturated culture. Curiosity for the voices of tomorrow’s storytellers, animators, and moving image makers should be the motivating factor to get the public out for two evenings of entertaining and thought provoking works.”
Tickets are $7 and $10, available at the Davis Varsity Theatre box office starting May 16.