June 22, 2016
The National Register of Historic Places and the California Register of Historical Resources have recognized what we have known all along: that TB-9 (Temporary Building 9) is an amazingly significant and historic place. Even though it’s not much to look at, this past April the NRHP included TB-9 on is register of historic places worthy of preservation. According to the NRHP, TB-9 was added “because it is the site where the Funk Figurative Ceramics Movement began, a movement that was influential in altering the history of Ame
rican ceramics” and “because Robert Arneson, a nationally acclaimed ceramic artist who started the Funk Figurative Ceramics Movement, produced his most significant and influential work in his studio at TB-9.”
You can read the complete TB-9 NRHP Listing here.
June 16, 2016
The Silk Road and the information superhighway have intersected at “Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road.” This exhibition, currently at the Getty Center in LA until September 4, is the joint effort of the Getty Conservation Institute, the Dunhuang Academy and the Chinese government who share a goal to protect and conserve the ancient decorated temples known as the Mogao Grottoes. This partnership has existed for 27 years and has employed the Getty’s “whole-body medicine” approach to preservation which involves a holistic, all encompassing assessment of the site (weather, temperature, geologic stability etc.) in addition to an evaluation of artistic styles and materials.
You can read more about their joint conservation work here and learn more about the exhibition, including installation videos here.
May 24, 2016
Handscrolls, often fragile and difficult to handle and display because of their large format, are rarely shown in public and in their entirety. These same qualities also makes them impossible to reproduce faithfully for teaching purposes. The Center for the Art of East Asia is hoping to change that by making a few valuable handscrolls more accessible and visible through its Digital Scrolling Paintings Project.
Designed to support the teaching of classes on East Asian painting, the Digital Scrolling Painting Project developed digital scrolling technology to simulate the viewing experience lacking in classes that rely on reproductions which distort the sequential and participatory nature of the handscroll viewing process. In collaboration with the Humanities Computing, the Center for the Art of East Asia developed its digital scrolling technology to simulate the viewing experience and to improve understanding of handscroll paintings. The scrolling paintings website has been designed with interactive elements to allow unprecedented accessibility to the complete works of art for educators, students and researchers.
Viewers can search and browse a selection of scrolls from the Art Institute of Chicago, The Metropolitan Museum of Art, the Nelson-Atkins Museum. the St. Louis Art Museum, the Smart Museum of Art, the Museum of Fine Arts, Boston and the Palace Museum of Beijing.
May 24, 2016
One year ago a man took a pneumatic drill to
Lamassu, Assyrian winged creature and protective spirit that guarded a gate along Ninevah’s city walls before it was vandalized by ISIS.
the statue of a winged bull at the gates of the ancient city of Nineveh, near Mosul in modern Iraq. It’s one of countless treasures destroyed by vandals, militants or military action in the region in the past 15 years.” So begins the first in a series of stories about lost ancient art from Iraq and Syria.
These stories comprise the Museum of Lost Objects, a 10-part series and podcast produced by the BBC. Museum of Lost Objects follows looted, lost and destroyed antiquities or ancient sites, tracing the local histories, legends, personal stories surrounding Syrian and Iraqi antiquities from their creation to their demise.
Episode 1: Winged-bull of Nineveh
Episode 2: Palmyra: Temple of Bel
Episode 3: Tell Qarqur, Hama Province
Episode 4: Minaret of the Umayyad Mosque, Aleppo
Episode 5: The Lion of al-Lat
Episode 6: Mar Elian Monastery
Episode 7: Al-Ma’arri the Poet
Episode 8: The Genie of Nimrud
Episode 9: Armenian Martyr’s Memorial, Der Zor
Episode 10: Looted Sumerian Seal, Baghdad
January 4, 2016
The Public Domain Review has announced its “Class of 2016” — their top picks of artists whose works have now entered the public domain as of January 1, 2016. Among the artists: Le Corbusier and Kathe Kollowitz.
March 9, 2015
For everyone saddened by the events at the Mosul Museum in February, please take a look at Project Mosul. Project Mosul is an action by the Initial Training Network for Digital Cultural Heritage that is looking for volunteers to help them virtually restore the Mosul Museum. They need to find photos, process data, contribute to the construction of their website and help them organize the effort to identify the artifacts in the Mosul Museum. If you are interested in joining their effort, email firstname.lastname@example.org.
If you are trying to keep up to date on the state of the Mosul Museum and the Assyrian archeological objects, here are a few blogs to follow:
Gates of Nineveh
Association for Research into Crimes Against Art (ARCA)
SAFE/Saving Antiquities for Everyone
January 27, 2015
On January 1, the Freer and Sackler Galleries released their complete digitized collection online. More than 40,000 works from the Smithsonian’s Asian and American art museums are now available, with more than 90 percent of the images available in high resolution and without copyright restrictions for noncommercial use. The Freer and Sackler Galleries are the first of the Smithsonian Museums to release their entire collection online. The project required 6,000 staff hours in the past year, 10 terabytes of data, and 50,000 images. Rapid Capture Pilot Project was utilized to quickly digitize the enormous collection of objects.
The Freer Gallery of Art and the Arthur M. Sackler Gallery contain some of the most important holdings of Asian art in the world. They also house Whistler’s Peacock Room, numerous Whistler paintings, drawings and prints, as well as works by Whistler’s contemporaries. You can search this amazing collection here.
December 3, 2014
Gergely Barki probably expected a quite, uneventful evening as he and his daughter Lola watched “Stuart Little” in 2009. But Barki, a researcher at the Hungarian National Gallery (Magyar Nemzeti Galéria), “nearly dropped Lola from my lap. A researcher can never take his eyes off the job, even when watching a Christmas move at home.” What grabbed Barki’s attention was a long-lost avant garde painting used as a prop in the film. The painting was “Sleeping Lady with Black Vase” by Róbert Berény, a member of the pre-World War I movement Group of Eights. Berény’s painting disappeared in the 1920s but was found in an antique shop in Pasadena by a set designer from Sony Pictures and Columbia Pictures. “Sleeping Lady with Black Vase” will be sold on auction December 13.
Read more here.